Spotlight on the ALA Book Award Celebration

Four Book Jackets of Titles that earned 2020 Coretta Scott King AwardsDear School Librarian Leadership Readers,

It seems most appropriate that we celebrate children’s and young adult literature by watching the YouTube videos the American Library Association and the Association for Library Service to Children have posted online.

Check out the Book Award Celebration!

I started my listening feast with the 2020 Coretta Scott King Award videos. I highly recommend listening to all of the speeches of these amazing award-winning authors and illustrators. That said, you should definitely not miss the award speeches by Jerry Craft for his graphic novel The New Kid and Kadir Nelson for the illustrations in The Undefeated. Mildred D. Taylor, who earned the Virginia Hamilton Lifetime Achievement Award, was unable to participate. (Her slim and powerful stories The Friendship and The Gold Cadillac engendered deep meaningful conversations among the fifth-grade students in my classroom over thirty years ago. I deeply appreciate her work.)

Although I sorely missed dining with friends at the 2020 Newbery-Caldecott-Wilder Banquet, I believe giving association members and everyone (!) across the globe access to these inspiring speeches is a gift we should not pass up. I will treat myself to all of the speeches throughout this week.

If you haven’t already, I hope you will make time to tune in and experience the joy and hope expressed by the creators of children’s and young adult literature and re-experience the call to share the love with the youth and educators in your care.

Image: Selected 2020 Coretta Scott King Award Winners

 

Books and Resources about the Current and Past Pandemics

Image: Global NetworkOn distribution lists, blog posts, and social media, librarians and other educators in the U.S. and around the globe have been sharing free ebook and online resources that explain the coronavirus and the current and past pandemics. Nonfiction and informational books as well as fiction can reach readers’ hearts and minds and change our emotional responses and behaviors, too.

Using literature to provide information at this time is critical. Knowing the facts about the current situation and historical parallels can help reduce the fears and concerns that many young people are experiencing. Bibliotherapy originally applied in psychotherapy to treat depression or other mood disorders, may be what many children and teens need at this point in time.

In this post, I am highlighting a few of COVID-19 resources with special thanks to Patricia Sarles, Library Operations and Instructional Coordinator, Brooklyn and Staten Island, New York City Department of Education, for her LibGuide of free ebook sources and the Worlds of Worlds (WOW) Executive Board for their collection of “Resources Around Epidemics and Pandemics,” which includes both fiction and informational books.

From Patricia Sarles’ LibGuide
Patricia’s curation is illustrated with e-book jackets. This helps parents and educators get an idea of the target age level for the information in each title. The books show animal as well as human characters, and all help adults assure children that the grown-ups in their lives are doing all they can to keep people safe and healthy. A number of the ebooks ask for donations that will be used to support others in particular need during this crisis.

The House We Sheltered In” is a well-written and beautifully illustrated poem by Freeman Ng. The poem is a free download available from his website with either color and black and white illustrations. I found hearing the poem read aloud and seeing the multicultural illustrations via the YouTube video very moving.

Since COVID-19 is a pandemic affecting people around the globe, I especially appreciate the work of Christine Borst, Ph.D., who is a therapist (LMFT) and university professor living in Colorado. She wrote and illustrated her nonfiction book What Is Coronavirus? with her own two-, four-, and six-year-old children in mind. Her mother voice shines through in the text. Additionally, she provides .pdf files of her book in Farsi, French, Spanish, and Turkish as well as English. You can access a recording of her book in English and in Farsi from her website. Donations via PayPal are earmarked for families and small businesses in need.

From Worlds of Words
The annotated bibliography “Resources Around Epidemics and Pandemics” on the WOW website includes intermediate and YA historical fiction and science fiction titles as well as informational books. I have not read most of these titles, but I can highly recommend Susan Bartoletti Campbell’s book Terrible Typhoid Mary: A True Story of the Deadliest Cook in America (Houghton Mifflin Harcourt 2015). This informational book reads like narrative nonfiction or as the annotator notes, “a crime novel.” This book will appeal to many readers who will connect with the historical, social, and political aspects of Mary Mallon’s life and times.

From this page, WOW also linked “Catching a Bug: Reading about Pandemics, Epidemics, and Outbreaks” posted in 2013 on the WOW Currents blog by T. Gail Pritchard, PhD, College of Medicine, University of Arizona. One of the videos she offers is a TED-ed video called “How pandemics spread.” I believe these three blog posts and the resources Gail highlights could be of particular use now and in the future to those currently teaching upper grade students.

Global Perspectives: Empathy
It is logical and critical that librarians and other educators take a global view of the current COVID-19 pandemic. It is arguable that at this current time in our human history we should be aware of our global interconnectedness more than ever before. Our shared realization and understanding of the impact of this virus and the measures needed to contain its spread should be heightened and spotlighted from a global perspective in the resources we share. This is especially important in the U.S. where our information sources have historically taken a U.S.-centric perspective.

If there is a brighter spot in this crisis, it could be the opportunity to develop compassionate empathy for the way daily lives have changed for people all around the globe. Compassionate empathy is an understanding of another’s pain plus the desire to act and somehow mitigate that pain (Skills You Need). Today, we are experiencing the many ways global citizens are acknowledging and responding to the needs of others: sheltering in place, wearing masks and making masks to share, donating and delivering food to those in need, and caring for the emotional and physical needs of our families, friends, students, colleagues, and neighbors–near and far.

Stay safe and well.

Side Note (but no less important): Thank you to the Arizona Daily Star Opinion editor Sarah Garrecht Gassen for your 4/25/20 op-ed: “How we decide which COVID-19 letters to publish, and which we won’t.” As Ms. Gassen wrote: “Our obligation is to the truth, to the facts, and to our shared safety.”

The same could be said to be true for librarians and other educators, children’s and YA book authors and illustrators—at this time and always.

Work Cited

“Interpersonal Skills: Empathy Types.” SkillsYouNeed.com, https://www.skillsyouneed.com/ips/empathy-types.html

Image Credit

Altmann, Gerd. “Web Networking Earth Continents.” Pixabay.com. https://pixabay.com/illustrations/web-networking-earth-continents-3079789

Ethically Sharing Children’s and Young Adult Literature Online

The focus of this curated list of resources is to ethically share children’s and young adult literature online. I have been an online educator for twelve years. I am a staunch defender of creators’ rights to their work and hold the graduate students in the courses I teach to a high standard. It is a violation of copyright for individuals to record and distribute read-alouds of copyrighted works. As noted in last week’s post, librarians and educators will likely not be sued by the creator(s) or the publishers if they do so, but that’s not the point. The point is to model respect for the rights of the copyright holder.)Books Read Monitor Online ImageIn “normal” times, fair use does not cover public distribution on the open Internet. Fair use can only be applied when book reading recordings are available behind password protection. In that case, the password-protected space is considered a “classroom” or “library.” School Library Journal and Kate Messner recently posted various publishers’ guidelines applicable during the pandemic. (You will note that the majority stress password protection.)

Kate Messner posted “Publisher Guidelines for Fair Use for Online Read Alouds.”

School Library Journal posted “Publishers Adapt Policies to Help Educators.”

All of the links curated below provide ethical ways to share children’s and young adult literature online. Many of these resources were collected by Worlds of Words Board members who teach undergraduate-level and graduate-level children’s and young adult literature courses. (Thank you especially to Kathleen Crawford-McKinney for her annotated list.)

I have added some additional resources that have come across my screen in the past week. All of these resources are useful to students, classroom teachers, librarians, and families.

Access© – Read Aloud Canadian Books Program provides links to resources Canadian book publishers are making available during the pandemic. (Added 4/10/20)

American Family Stories offers short retellings of oral stories by storyteller Joe McHugh. You can subscribe to his 3- to 6-minute stories or simply drop in and listen. (Added from comments section 4/6/20)

Paige Bentley-Flannery, Community Librarian, Deschutes Public Library, created a webpage “Children Authors Read Aloud and Other Facetime Events.”

Children’s Book Council curated a list of publishers who have provided links to online learning resources. “From fiction to non-fiction, STEM books to graphic novels, book publishers have created a wealth of content to support educators, librarians, booksellers, parents, and caregivers,” these resources are freely accessible on the Internet. (Added from comments section 4/6/20)

Betsy Diamant-Cohen, creator and director of Mother Goose on the Loose (MGOL) early childhood resources, has given permission to freely share MGOL resources on the open Internet. (Added 4/6/20)

Digital Children’s Book Festival: After the Tucson Festival of Books was cancelled, Ellen Oh and Christina Soontornvat organized a virtual festival, which will be held on May 1-2, 2020.

EPIC Reading offers educator registration with student sign-ups. You can find books that are read aloud, or the text that you turn the pages when ready. Educators can set up collections of books and assign them; this gives students free access to digital books, including novels.

The International Children’s Digital Library offers children’s literature from around the world written in multiple languages.

Kid Lit TV offers a read-aloud corner with authors reading their own books. They also have a section called “Storymakers” with author interviews. For Children’s Book Week, they published a section called Creator Corner, where they have authors explaining their creative process.

Lunch Doodles with Mo Willems: Mo is doing a “doodle” hour every day from 1:00 to 2:00 p.m. Eastern time weekdays. He will take questions on his work or look at your own doodle (available live for two more weeks). You can also access the archive of previously recorded shows. Great way to get to know this Author/Illustrator.

Make Way for Books offers an app with stories for preschool children in English and Spanish that adults or older children can read to younger ones.

Parents Magazine: U.S. children’s divisions of Penguin Random House, Penguin Young Readers and Random House Children’s Books, in partnership with Meredith/PARENTS, are launching READ TOGETHER, BE TOGETHER. It is a series of daily virtual story times with bestselling and award-winning authors and illustrators, and celebrity readers. (Added from comments section 4/6/20)

Rex Ogle: Aiden Tyler, Quaran-teen – A Webcast “Serial” with Author Rex Ogle sponsored by Junior Library Guild begins tomorrow, March 24. You must register.

School Library Journal:Kid Lit Authors Step Up to Help Educators, Students, and Parents.”

Kwame Alexander is sharing on his website.

Laurie Halse Anderson has set up a Twitter hashtag #QuarantRead book club where readers can ask her questions.

Jarrett J. Krosoczka is sharing on YouTube every weekday at 2:00 p.m.

Grace Lin is sharing on her YouTube channel.

Dav Pilkey is sharing drawing demonstrations and fun activities. (Added from comments section 4/6/20)

Simola Live
Beginning March 23, authors and illustrators are sharing their work online.

Society of Children’s Book Writers and Illustrators has published a page with links to authors reading their own work.  (SCBWI is offering other types of online resources as well.)

Storyline Online publishes professionally produced children’s books read by actors.

While it is critical that school librarians provide children’s and young adult resources online for students, educator colleagues, and families, it is important we not lose sight of the ethical use of ideas and information. As noted in last week’s post, it is also critical that we keep our commitment to equitable access  foremost in our minds.

TeachingBooks.net has developed a “Book & Reading Engagement Kit: Home Edition portal with Student/Educator-Adult/Institution access. It includes a large collection of activities and resources and some read-alouds. (Added from comments section 4/6/20)

Image Credit

Geralt. “Books Read Monitor Online.” Pixabay.com. https://pixabay.com/photos/books-read-monitor-online-3659791/

Are Memoirs Informational Books?

Over the past year, I have read more young adult memoirs than in previous years. Part of the reason is that I was preparing for and am teaching a course on informational books. Now I’m wondering if more and more memoirs are being published… or is it simply that my awareness of this genre has grown? The collage shows some of the memoirs I have read in the last year.

Last month, I posted “2020 Sibert Awards and the Edwards Award.” As I noted among the 2020 Sibert award and honor winners, there were two memoirs—one in verse, one a poetry collection. Since that posting, I have had several conversations and many thoughts about memoir as a genre within nonfiction and “informational” books. This post summarizes my thinking.

And I welcome your perspectives related to memoir, especially about including it as a genre within informational books.

Nonfiction: A Definition
This is the definition of nonfiction we are using in IS445: Information Books and Resources for Youth, the course I’m facilitating this semester for graduate students in the iSchool at the University of Illinois: “Nonfiction is that body of work in which the author purports to tell us about the real world, a real experience, a real person, an idea, or a belief” (Beers and Probst 2016, 21). I have bolded the word “purports” to remind us that librarians must apply critical evaluation criteria when reviewing, selecting, and using all types of books and resources, including nonfiction and informational texts.

One could ask if nonfiction and “informational” books and resources are one and the same… The Sibert Awards are for informational books. This is the definition Sibert Committee members are using: “Informational books are defined as those written and illustrated to present, organize, and interpret documentable, factual material.”  As evidenced by the 2020 (and prior years’) awards, the Sibert committees consider memoirs “informational.”

Is the information contained in memoirs documentable, factual material? Is the keyword in the Siebert Award definition “interpret”?

Memoir and Autobiography
In our course, informational books and resources include expository texts, narrative nonfiction, biography, autobiography, and… memoir. The question about whether or not memoir is nonfiction has caused me to wonder about autobiography. While memoirs present a snapshot of the author’s life, true autobiographies provide a (more) complete picture of the author’s life. Both are written in the first person; both genres purport to tell “the truth.”

That said, one can imagine that an individual’s “truth” may be more or less “documentable.” Dates, places, and events for today’s memoir and autobiography authors are easy to access and verify. What is likely not easy to document are the accompanying emotions that the authors of these texts felt during their life experiences. I suspect that in the cases of both memoir and autobiography, the “facts” that live in the authors’ memories are shaped by feelings as well as “objective” truths. Does that fact qualify as “interpretation”?

Evaluating Memoir and Autobiography
When we evaluate memoir and autobiography, we necessarily rely on the voice of the author to ascertain authenticity and accuracy. Last week, our class conducted a real-time Twitter chat regarding selection, censorship, and evaluation. This is one of my tweets from that discussion related to how I evaluated Laurie Halse Anderson’s book Shout: The True Story of a Survivor Who Refused to be Silenced. The tweet includes a link to an interview with the author.

Young adult literature advocate, former high school librarian, and book talker Naomi Bates (@yabooksandmore) recently published her review of Almost American Girl: An Illustrated Memoir by Robin Ha. While listening to Naomi’s book talk, I was moved by the authenticity and accuracy Naomi experienced while reading Ha’s book. Naomi made personal cultural connections to Ha’s experiences. This review increased my assessment that Almost American Girl is culturally authentic and accurate and well worth our consideration for inclusion in our libraries. I have requested it from my public library and will read it hearing both Ha’s and Bates’s voices as I do.

Memoir and autobiography are special cases in terms of documentable facts… and yet, from my way of thinking, they are informational books. I wholeheartedly agree with Kylene Beers and Robert Probst: “Nonfiction should not suggest nonfeeling. Nonfiction offers us the chance to learn not only about the world and the people in it, but about ourselves” (2017, 49). And to my way of thinking, memoir may provide one of the most compelling genres for building empathy and inspiring readers to take action to cocreate a more just, compassionate world.

What do you think?

Works Cited

Beers, Kylene, and Robert E. Probst. 2016. Reading Nonfiction: Notice & Note Stances, Signposts, and Strategies. Portsmouth, NH: Heinemann.

Beers, Kylene, and Robert E. Probst. 2017. Disrupting Thinking: Why How We Read Matters. New York: Scholastic.

Censorship versus Selection and Alternatives to American Dirt

If a book includes stereotypes, misrepresentations, and misinformation, the decision to not purchase it is selection. That decision is NOT censorship, self- or otherwise.

There has long been confusion and tension in librarianship over the distinction between censorship and selection. School librarians, according the 2016 Controversial Books Survey conducted by School Library Journal, are prone to self-censorship. Of the 573 U.S.–based school librarians who participated “9 out of 10 elementary and middle school librarians have not bought a book recently because of the potential for controversy.” If you haven’t already, please make time to read the SLJ survey data provided in three areas: weighing subject matter, age appropriateness, and general comments.

Although, to my knowledge, there is no similar survey of public library youth librarians, I would argue there are reasons this practice may be more prevalent in K-12 schools. Public libraries often have central purchasing. Youth librarians may recommend books but they are not directly “responsible” for the books on their library shelves. Their selection and censorship issues likely come at the point of selecting library resources to spotlight in displays and programming.

When there is a book challenge in a K-12 school, if librarians are lucky, the challenge will be made directly to them. Of course, a reconsideration policy must be in place. The librarian will explain the process to the patron, provide the forms, and follow up. Sometimes school library patrons, most often parents, go directly to higher-ups, including principals, school board members, and superintendents. In these cases, it is often the librarian’s role to explain the process to their supervisors and then facilitate the proper review of a complaint. In public libraries, even if the complaint goes directly to the youth librarian, challenges are most often handled by branch managers, the collection development department, or library administrators,

Budgets and Core Values
It is important to remember that the vast majority of school librarians do not have budgets that allow them to purchase every children’s or YA book published in any given year—not even close. There are far too many examples of school libraries with small budgets that will not allow them to purchase even one new title every year for every child they serve. (Consecutive years with zero budgets are not unheard of.) Most school librarians, therefore, must make careful selections in order to use their funds wisely to support the school’s curriculum and meet the independent reading needs of students.

That said, the prevalence of (self-)censorship in K-12 school libraries should be of concern to the profession since this practice flies in the face of our core values: intellectual freedom and the right to read (see ALA’s Access to Resources and Services in the School Library: An Interpretation of the Library Bill of Rights.)

Censorship versus Selection
“Censorship is the suppression of ideas and information that certain persons — individuals, groups, or government officials — find objectionable or dangerous” (ALA 2017). The First Amendment to the U.S. Constitution protects the rights of individuals to speak, publish, read and view what they wish. Young people’s access to “objectionable” materials has long been contentious. School library resources are at the center of these controversies; some of which are ultimately settled in the courts (see my review of Reading Dangerously published by ALA’s Freedom to Read Foundation).

The difference between censorship and selection lies in the reasons behind a decision to purchase or not purchase a book or other resource. Most school librarians do not have access to advance review copies; they rely on book reviews. According to the SLJ survey, librarians read multiple reviews (as most often required by their selection policies) and use the age range and Lexile information as guidelines. Age “appropriateness” and connection to curriculum and community needs come into play.

In the case of “controversial” titles, the author’s treatment of sex and violence and word choice are often cited as reasons to tread carefully. Stereotypes are also mentioned. Some school librarians check out a controversial book from their public library and read it before purchasing. However, due to time constraints, it is likely that most decisions regarding whether or not to purchase these titles are based on book reviews, social media posts, and recommendations from colleagues.

Reliance on Book Reviews
Accuracy and authenticity come into play as well. Book reviewers’ cultural competence, their willingness to conduct research, their personal backgrounds and experiences, and more affect the quality of their reviews and their ability to determine accuracy and authenticity, in particular when reviewing books that are outside their cultural backgrounds. “Book reviewers are charged with documenting the merits as well as the flaws, if there are any, in the books they review. Reviewers who do not feel qualified to review particular books can seek further information from cultural insiders, the book review source, publisher, author or illustrator, or return the book unreviewed as appropriate” (Moreillon 2019, 7).

Choosing not to purchase or promote a book simply because it is controversial is (self-) censorship. However, if a book includes misinformation, stereotypes, and misrepresentations, the decision to not purchase or promote it is selection.

Reading American Dirt
I live in Tucson, Arizona, sixty miles from the U.S.-Mexican border. I have crossed the border at Nogales and Tijuana. I have traveled to Mexican resort towns on the Baja and western coast of the country and have visited cultural sites on the Yucatán Peninsula. I have some knowledge of Mexican culture and history, but I am assuredly a cultural outsider.

I borrowed American Dirt from the public library and read it as a personal challenge. I heard about the controversy in an NPR interview with author Luis Alberto Urrea and American Dirt author Jeanine Cummins. I had read a few blog posts and reviews—pro and con. I wanted to determine whether or not I could identify the stereotypes and misrepresentations in this book. I wondered if I, as a cultural outsider, could confidently review this book if it were under consideration for purchase for a high school library.

This is what I learned: I don’t have sufficient cultural knowledge to determine the accuracy and authenticity of American Dirt. I did not “see” all of the cultural stereotypes that insiders have recognized in the book. I did not make time to research aspects of the book that others have questioned. I did not catch all of the situations that echoed scenes found in previously published fiction and nonfiction books centered on the border and immigration.

As a reader, I didn’t find American Dirt well written. There were inconsistencies that appeared within paragraphs of each other (see pp. 266-267 regarding Beto’s life on el dompe in Tijuana.) There were long sentences and paragraphs in which the omniscient narrator’s voice seemed confused. The sprinkling of Spanish words and phrases didn’t authenticate the text for me.

As one reviewer noted, “Once one cuts through the noise and actually reads the book, what becomes clear is that the problem isn’t that Cummins wrote a story that wasn’t hers to tell, but that she told it poorly – in all the classic ways a story is badly told. Two-dimensional characters, tortured sentences, an attempt to cover the saga of a migrant without even addressing the wider context of migration or inequality” (Malik 2020).

That said, I have to admit that I was drawn into the story in terms of the will, determination, perseverance, humanity, and courage of Lydia, Luca, and their fellow migrants. I strongly disagree with one reviewer’s criticism that Lydia, a privileged woman, should NOT be surprised by the hardships and inhumane conditions of the poor, immigrants, and asylum seekers depicted in the story. I believe all of us who are privileged would lack this understanding. We may read, hear, and see images in the media about the struggles of those who are less privileged, but until we actually live in the conditions of their lives, we cannot know them.

Alternatives to American Dirt

Collage of Luis Alberto Urrea’s “Border” Books: Across the Wire: Life and Hard Times on the Mexican Border (Anchor, 1993), By the Lake of Sleeping Children: The Secret Life of the Mexican Border (Anchor, 1996), The Devil’s Highway: A True Story (Little Brown, 2004), Into the Beautiful North: A Novel (Little Brown, 2009),

 

I would not select American Dirt for a high school library based on the poor writing, inaccuracies, stereotypes, and a lack of authenticity, as pointed out by “insider” readers. “Authors and illustrators who create literature from outside their own culture must be vigilant as they write and illustrate books for children and teens (and adults, too, for that matter). In addition to research, consulting with cultural experts is a more effective way to ensure that their texts are culturally authentic, accurate, and free of stereotypes” (Moreillon 2019, 7).

I have not read that Jeanine Cummins shared her manuscript with one or more cultural insiders before submitting it to her editor, who is also a cultural outsider. It appears likely that her editor did not share the manuscript with anyone who could have helped Ms. Cummins improve her writing and make corrections in her representation of Mexican culture.

In her author’s note, Ms. Cummins wrote, “I wished someone slightly browner than me would write it” (382). As this author clearly knows, there are others much “browner” than she who have written novels and nonfiction about the border and immigration. (Ms. Cummins’ grandmother migrated from Puerto Rico to the U.S. in the 1940s.) Others have told this story, including Luis Alberto Urrea. In the NPR interview, Ms. Cummins talked about the impact Urrea’s work has had on her.

The collage above shows four of Urrea’s titles that I would select for high school students rather than American Dirt. Three books are nonfiction; one is a novel. And I would further explore the writing of other Latinx writers who accurately and authentically portray present-day Mexican culture, including the “Real Dirt – Works by Latinx Authors” List recommended by Pima County Public Library.

I share this reviewer’s perspective. “If English-speaking readers assume that this novel (American Dirt) accurately depicts the realities of Mexico and migration, it will only further the cause of disinformation and prejudice. And in this day and age, we can’t afford any more of that” (Schmidt 2020).

Works Cited

American Library Association. 2017. “First Amendment and Censorship.” ALA.org. http://www.ala.org/advocacy/intfreedom/censorship

Malik, Nesrine. 2020. “American Dirt’s Problem is Bad Writing, Not Cultural Appropriation.” The Guardian. https://www.theguardian.com/commentisfree/2020/feb/03/american-dirt-problem-bad-writing-cultural-appropriation-mexico

Moreillon, Judi. (2019). “Does Cultural Competence Matter? Book Reviewers as Mediators of Children’s Literature.” Children and Libraries 17 (1): 3-8.

Schmidt, David J. 2020. “A Poor Imitation: American Dirt and Misrepresentations of Mexico.” The Blue Nib Literary Magazine. https://thebluenib.com/a-poor-imitation-american-dirt-and-misrepresentations-of-mexico

School Library Journal. 2016. “Self-Censorship.” SLJ.com. https://www.slj.com/?page=features-self-censorship

Speak-ing of #BannedBooksWeek

This week (September 22 – 29, 2019), classroom teachers, librarians, and libraries across the country are honoring the American Library Association Office of Intellectual Freedom’s annual Banned (and Challenged) Books Week. When I served as a secondary school librarian, this week was one of my most treasured. For those three years, I collaborated with 8th grade (one) and high school English language arts classroom teachers to spotlight the 100 Most Frequently Challenged Books from 2000-2009. (I look forward to the 2010-2020 list!)

I gathered as many as possible children’s and young adult books from 100 Most Frequently Challenged list from our library and interlibrary loaned through the public library. (There were a few titles that were not appropriate for the school environment such as Private Parts by Howard Stern.) We launched the lesson by helping students make connections among these three terms and books written for youth: banned, challenged, and censored. Students who had read Ray Bradbury’s Fahrenheit 451 made connections and often led the discussion.

The classroom teachers and I co-read one of the picture books from the list and modeled a conversation about why the book had been challenged. Then, students working in small groups were given a short stack of books and the task of discussing each one to determine why they thought the book had been challenged. Students read picture books and book jacket information for novels to guide their thinking. Their ELA-R teachers and I facilitated these discussions by monitoring students’ conversations and asking probing questions.

Each group reported to the class by selecting the most surprising book in their stack and shared their determination for the “reason” the book had been challenged. One of the biggest takeaways from this lesson was that students had read a good number of these books in the past and where annoyed or shocked that any adult would think they were incapable of thinking critically or shouldn’t have even be allowed to read the story or information.

Laurie Halse Anderson’s Books
Laurie Halse Anderson’s book Speak appears as #60 on the 100 Most Frequently Challenged Books from 2000-2009. I have been a fan ever since the book was published… and this year read both the graphic novel version and her latest book Shout. It isn’t often that readers have such a powerful example of three texts—one novel, one graphic novel, and one free verse memoir—to compare their responses to the “same” story told by the same author. Anderson has given us all a gift with Speak (1999), Speak: The Graphic Novel (2018), and Shout: The True Story of a Survivor Who Refused to Be Silenced (2019).

Speak, the Novel
I read this book when it was first published. In 2002, I facilitated a student book club at Sabino High School. (It was my first year as a high school librarian after serving in elementary school libraries for ten years.) The students in the club were freshmen and sophomores. I provided students with a stack of books for which I could secure multiple copies. They picked Speak as our first read. I sent home information to students’ families about the book club (we met once a month during lunch) and noted the list of nine books the students had chosen to read that year.

Of course, I suspected that Speak would be an important book for the young women in the group. Protagonist Melinda’s experience, silence, inner turmoil, and trauma were clearly and poignantly conveyed in the story. What surprised me, at the time, was that the young men in the group were equally affected by Melinda’s story. Anderson’s voice rang true and authenticity created an invitation for readers to relate to the story on an emotional level. Students’ discussion was open and frank. It was an outstanding beginning for building our caring and thoughtful community of readers.

Speak, the Graphic Novel
Emily Carroll’s illustrations in the graphic novel add another dimension to Anderson’s story that may help some readers relate more deeply to Melinda’s story. The black, white, and sepia tones of the illustrations portray the fear and suffering of a freshman girl who has been raped and shunned. Her isolation and depression are vividly drawn. When Melinda finally takes the opportunity to strike back at the rapist, the image of her punching him captures the emotional power of finding one’s courage, using one’s strength, and protecting one’s self from further harm.

The parallels with the acts of superheroes will not be lost on readers. Carroll, who is known for penning horror comics, was the perfect pick to illustrate Anderson’s modern classic. The graphic novel format with brief text, frames that sequence and chunk the text, and drawings that pack an emotional punch will bring many new (and returning) readers to this text.

Shout, the True Story of a Survivor Who Refused to Be Silenced
And finally, for me, Shout, the free verse memoir brings Laurie Halse Anderson’s first-hand experience with abuse, rape, and resilience into an even sharper focus. Her intimate poems about family dysfunction, microaggressions (a word I didn’t “have” when I first read Speak), and most importantly of all, ending the shame associated with sexual assault will tear at your heart. As a woman, mother, and grandmother, I wept for young women who have suffered and continue to suffer in silence and must find resilience without family or societal support.

With today’s #MeToo movement, I believe all three “versions” of Speak/Shout provide a rich literary experience for critical conversations. But from my personal perspective Shout was the most powerful of the three. For me, Anderson’s memoir presents undeniable truths from which I, the reader, could not turn away.

Thank you, Laurie Halse Anderson, for your courage in breaking the silence, for openly sharing your life experiences, and for your heartfelt truth telling.

As you honor and celebrate The Freedom to Read and The Library Bill of Rights, this week and 365 days a year, school librarians must recommit to advocating for and protecting students’ rights. Our library materials reconsideration policies are a place to begin. Please read Mona Kirby’s article that appeared in the September issue of American Libraries: “Up to the Challenge: Dealing with School Library Book Challenges Before They Happen.”

New Edition: Jim Trelease’s Read-Aloud Handbook

It is my pleasure to review the newest edition of Jim Trelease’s Read-Aloud Handbook. When I was serving in K-12 schools and classrooms, I always had the latest edition at hand for my personal reference as well as for the classroom teachers and families whom I served. First published in 1982, this 8th edition includes updates, new chapters, and additional sub-sections in the “giant treasury of great read-aloud books,” which is the heart of this book.

Co-author and editor Dr. Cyndi Giorgis, professor of children’s and young adult literature at Arizona State University’s Mary Lou Fulton Teachers College, has updated the statistics found in previous editions. In her introduction, Cyndi includes references to research that provides evidence for the critical importance of frequent regular reading and the benefits of reading aloud. She cites current stats for the consequences for youth, particularly those living in poverty, who lack literacy skills that can lead to them dropping out of school. She convincingly makes the case that illiteracy hurts individuals, families, and communities.

Informational Chapters
In addition to the introduction, there are ten powerful chapters that support reading aloud as a pathway to literacy as well as family, classroom, and school community building. Some of the chapter titles are familiar and some are new. Cyndi revised the chapter related to media and writes about digital books and Internet resources in “The Impact of Electronic Media on Reading.” She has added two new chapters: “Visual Literacy and Reading Aloud” and “The Significance of the Read-Aloud Experience.”

In the “Sustained Silent Reading (SSR) and Reading for Pleasure” chapter, Cyndi addresses many questions that have plagued school librarians for many years, such as the efficacy of reading incentive programs, Lexile levels, and enlisting administrators’ support for SSR. One section that especially caught my attention, “How Did Oprah So Successfully Get People Reading?” It is Cyndi includes some thoughts about how the word “club” and literature discussions were keys to Oprah’s success. If you are starting a student, educator, and/or family book discussion group, you may find some inspiration in that section. It was notable to me that Cyndi moved the chapter about dads reading to children to the fifth chapter (up from chapter nine in the previous edition). In “The Importance of Dads,” Cyndi provides strategies for getting dads involved in family reading.

The Treasury
The updated “giant treasury of great read-aloud books” includes the classic literature you will expect to find as well as books with publication dates as recent as 2019. There are two new sub-sections: “Stories with Rhyming Verse” and “Nonfiction.” These two sections are particularly important and show that the co-author/editor has aligned the treasury with the needs/preferences of young children and storytime providers as well as with those of school-age children and educators.

Throughout the treasury, Cyndi includes pull-outs with thematic, topical, and genre-specific collections such as “Cyndi’s Favorite Picture Books About Self-identity,” “Cyndi’s Favorite Sports Picture Books,” and “Cyndi’s Favorite Biographies.” These are particularly useful to address classroom needs and make it easier for parents, classroom teachers, and librarians to respond to read-aloud requests.

Professional Collection for Educators and Families
School librarians will, of course, agree that all stakeholders—children, families, students, classroom teachers, administrators, and public librarians, too—have a shared responsibility to create the conditions in which youth will be eager and effective readers who are motivated to become lifelong readers and learners.

If you are a school librarian who no longer purchases print resources for a professional collection for colleagues and families, please make an exception. Display a copy on the circulation desk. Start conversations about the importance and long-term impact of books read aloud. Invite students, classroom teachers, administrators, and families to share their favorite read-aloud books and check to see if their favorites are listed in the treasury. Take “write-ins” and add them on sticky notes.

The revised and edited 8th edition of Jim Trelease’s Read-Aloud Handbook is available now. Purchase one for your own use, one for your library collection, and if your of my generation, one for your adult children to share with your grandchildren to ensure the young people in your care are hearing the best of the best in children’s and middle-grade literature.

Work Cited

Trelease, Jim, and Cyndi Giorgis. 2019. Jim Trelease’s Read-Aloud Handbook, 8th ed. New York: Penguin.

Inquiry into Global Information Books and Resources: Reflection

In the month of August, I have been blogging on WOW Currents. You can access today’s post “Inquiry into Global Nonfiction and Informational Literature: Student Learning Outcomes and Reflections.” This is the final WOW Currents post for this 4-part series.

Today, library science students and I will launch the second course I will be teaching for the iSchool at the University of Illinois, Urbana-Champaign. This course “School Library Media Center,” which focuses on the instructional partner and information/technology specialist roles of school librarians is in my teaching “sweet spot.” I wrote the course textbook and have been teaching similar courses since 1995…

The course I’ve been writing about and reflecting on this month, “Information Books and Resources for Youth,” was a leap out of my past experience and comfort zone. I was excited to prepare and teach it and it stretched me in “good” ways. These are my takeaways from this teaching/learning experience.

Explore Pathfinder
It is my habit to complete every assignment I assign to students. For me, that is the only way to ensure that the assignment directions are clear, the assessment is aligned with the assignment objectives, and to ensure that there is plenty of room for students to engage creatively with the project. For this course, I created an annotated pathfinder to help learners access global information books and resources to explore the question of prejudice and discrimination against children and teens.

I organized the annotated bibliography/pathfinder by genre (in order to reinforce key course vocabulary) and format of nonfiction and information books and resources as well as subtopics within each genre. Curating these resources was and will continue to be a “passion project” for me. I have since read a memoir that I will add to this resource, How Dare the Sun Rise: Memoirs of a War Child by Sandra Ywiringiimana. It is my hope that IS445 graduate students and any educator or student who curates resources that are personally meaningful will make a commitment to continually add to their work and share it for the benefit of others.

Student Learning Products and Feedback
It was encouraging to me that fourteen out of twenty students developed final projects for the course that included global nonfiction and informational books. Please see today’s WOW Currents blog post. Although all students in the course did not embrace the value I hold for global nonfiction and informational books and resources as pathways to understanding, empathy, and compassion, most students found a new or renewed commitment to identifying compelling resources to support student learning. In addition, many embraced inquiry learning as an effective practice for student engagement, meeting curricular demands, providing student choice, and amplifying student voice.

My Reflection
When I analyzed the results of the pre- and post-course surveys, I wondered why I had asked the question about ranking genres. I gave the students a list of eleven genres and asked them to rank them from most powerful to least powerful in terms of offering readers opportunities to develop empathy, compassion, and their understanding of human diversity. Although all IS445 students reported in the post-course survey that they had moved nonfiction and informational books up in their rankings, I fully believe the impact of a text “depends.” It depends on their purpose for reading. It depends on the timing in the reader’s life—their prior experiences and their current questions. It depends on the reader’s background knowledge and connections to the topic and themes raised in the text. It depends on the reader’s familiarity with or preferences for a genre or format, or “need” for visuals, or… It just depends.

That said, similar to the students who moved their rankings up for narrative nonfiction and memoir, I also discovered/rediscovered my enjoyment and value for these genres. In particular, I have not been drawn to memoirs and will now seek out more to read and pay more attention to those that cross my path and screen. These were some students’ final reflections, used with permission.

IS445 student Sara DeGraff, 8th-grade math teacher and future school librarian, wrote this in her final course reflection: “Exposing people to stories about others in similar situations or hazardous situations could create that empathetic feeling. When you have empathy, you can have a want to take action. Reading autobiographies, memoirs, and biographies can help create that empathy. … If we continue sharing people’s stories, we can create global citizens.”

IS445 student Becky Oberhauser wrote this in response to a classmate’s reflection: “I think what we’ve learned in this class will help all of us try to take on a global perspective when building collections for kids or when doing reader’s advisory. I liked that you said that informational text is the key to help students see their common humanity… Fictional texts may prompt emotions, but students may not develop the same passions to help others from them because the stories aren’t real.”

IS445 student and middle school teacher M. Albrecht wrote this: “It was very eye-opening to even consider that non-fiction books could be used for promoting a sense of empathy within students… In the future, I will try and make nonfiction resources just as enticing to the youth in my charge as I do fiction resources, whether it be in the form of guided inquiry design, creative displays, or hooks… If we, as educators and librarians, help cultivate that empathy by providing them with resources to expand their horizons and fostering their sense of inquiry, they will be able to figure out how they as individuals can help any being anywhere in the world.”

Student Choice and Voice
This course involved students in inquiry projects in which they determined the topics for study and in small groups or individually pursued curating nonfiction and informational books and resources to share with youth. I hope students understood that my trust in their ability to chart their own learning (with support) and exercise agency (within the stated course description and objectives) was a model for how they can create guided inquiry opportunities for youth in their care.

“In the context of the age of communication, mass media, and the information revolution, criticism’s ties to discrimination is grounded on a belief that students would be empowered as they develop the capacity to discriminate and critically evaluate all kinds of texts in multiple modalities within the global flow of information” (Choo 2013, 101).

It is my sincere hope that IS445 student felt empowered in our course; I trust they will pass it on.

Work Cited

Choo, Suzanne S. 2013. Reading the World, the Globe, and the Cosmos: Approaches to Teaching Literature for the Twenty-first Century. New York: Peter Lang.

Image Credit
Altmann, Gerd. “Web Networking Earth Continents.” Pixabay.com. https://pixabay.com/illustrations/web-networking-earth-continents-3079789/

 

The Stories We Share: A Guide to PreK-12 Books on the Experience of Immigrant Children and Teens in the United States

In the month of August, I am blogging on WOW Currents. You can access today’s post “Guided Inquiry Design: Explore and Identify Phases.”

The first three August School Librarian Leadership posts are focused on professional books related to the posts on WOW Currents.

I did not have a copy of Ladislava N. Khailova’s book The Stories We Share: A Guide to PreK-12 Books on the Experience of Immigrant Children and Teens in the United States as I prepared the Inquiry into Prejudice and Discrimination Explore Pathfinder of nonfiction and informational books and resources for IS445: Information Books and Resources for Youth. I requested it through interlibrary loan and it arrived near the end of the summer semester.

Since prejudice and discrimination based on culture, race, and documentation was a subsection of the pathfinder, Ladislava N. Khailova’s book would have been helpful to me. In “Chapter 1: Why Share Books on Immigrants?” she makes a strong case sharing immigrant youth-centered titles as a way to challenge intercultural misunderstandings that lead to unsubstantiated bias (4). The author cites political economic and social psychology research that describes how stereotypes and prejudice are formed and reinforced in individuals and in society, particularly as applied to the immigrant “Other.”

With references to Rudine Simms Bishops mirrors, windows, and sliding glass doors metaphor for multicultural literature, Khailova emphasizes the power of story to offer immigrant youth positive reflections of their heritage cultures and communicates that they are welcome in the U.S. For dominant culture youth, multicultural literature can dispel the myth of superiority and contest ethnocentrism, particularly during times of nationalistic fervor. When young people of diverse backgrounds read and discuss pro-diversity multicultural literature in classrooms and libraries, educators and librarians (and parents) create opportunities for cross-cultural understanding that conquers prejudice.

Using award-winning book lists, Ladislava N. Khailova annotated 101 preK-12 books centered on first- and second-generation U.S. child or teen immigrants. She used two major sources to identify these titles: Lisa R. Bartle’s Database of Award-Winning Children’s Literature which is a free online database, and a subscription database: Children’s Literature Comprehensive Database.  The author has created a free online database of The Stories We Share titles included in the book. It is searchable by national/ethnic/religious affiliation; first-/second-generation; male/female protagonists; genre; reader grade-level bands; and historical period.

The annotations/chapters are organized by geographic regions: Asia (37 titles); Latin American and the Caribbean (31 titles); Europe (20 titles). Khailova combines Africa (8 titles) and the Middle East (5 titles) in the final chapter. (She notes that Oceania and non-Hispanic North America are not represented in these 101 titles.) She draws connections between the percentage of immigrants from various regions with the numbers of books published based on immigration stories from each region and the dominant cultures relative level of acceptance of immigrants from each area. In her annotations, she both summarizes and evaluates these books and offers discussion questions for readers. The author introduces each chapter with background on the U.S. immigration histories of subgroups from each geographic region. She includes extensive endnotes, a bibliography, and a comprehensive index as well.

Since the Latin American and Caribbean chapter is focused on contemporary immigrants, I focused my search for nonfiction titles in that chapter. I was specifically looking for Mexican and Central American immigration books that would further develop my pathfinder. The online database made it easy to find the few titles focused on Mexican immigrants. Unfortunately, there is a dearth of books that have earned awards that meet my criteria for nonfiction from this region.

I recommend The Stories We Share: A Guide to PreK-12 Books on the Experience of Immigrant Children and Teens in the United State for educators/librarians who are developing collections, curriculum, and programs. While the inclusion of “award-winning” titles only limits the number of titles identified and annotated, it does offer vetted books while it points to the lack of representation of immigrant experience literature in mainstream U.S. publishing for children and young adults. I would venture to say that many other worthy titles have been published that have not earned awards… but not nearly enough to approach the percentage of children and teens who are first- and second-generation immigrants to the U.S.

Going beyond multicultural literature to include international books is also challenging for educators/librarians. Even award-winning titles from non-U.S. publishers may take time (years!) before they are available for distribution in the U.S., if ever. These books are so infrequently purchased by public libraries (which are my current sources for these titles).

In that context, I recently had the opportunity to experience the international “Visual Narratives: Connecting Across Languages and Cultures” on display at the Worlds of Words International Collection of Children’s and Adolescent Literature housed at the University of Arizona. These “wordless books” tell stories from the perspectives of children/authors/illustrators from around the world. The visual narratives are rich with cultural markers and show how book creators and publishers in other countries offer worldviews different from those of mainstream U.S. creators and publishing houses. The exhibit is on loan from the International Board on Books for Young People (IBBY) “Silent Books” collection.

If you live in Tucson or visit our city before January, 2020, please make time to browse/read/view “The Visual Narratives:Connecting Across Languages and Cultures” exhibit. It is open during Worlds of Words open reading hours: Monday-Friday, 9 a.m. to 5 p.m. and Saturday, 9 a.m. to 1 p.m.

Work Cited

Khailova, Ladislava N. 2018. The Stories We Share: A Guide to PreK-12 Books on the Experience of Immigrant Children and Teens in the United States. Chicago: ALA.

Reading the World, the Globe, and the Cosmos

In the month of August, I am blogging on WOW Currents. You can access today’s post “Inquiry into Nonfiction and Informational Global Literature Focused on Prejudice and Discrimination against Children and Teens.”

Each of the four August School Librarian Leadership blog posts are focused on professional books related to the WOW Currents posts

Along with members of the Worlds of Words (WOW) Board of Advisors, I have been engaged in a monthly professional book study of Suzanne Choo’s Reading the World, the Globe, and the Cosmos: Approaches to Teaching Literature for the Twenty-first Century. The other members of the study group regularly teach children’s and young adult literature in universities across the U.S. and in Mexico. As a library science professor who mostly teaches courses related to school librarian leadership and instructional partnerships, I have rarely had the opportunity to focus on literature per se in my teaching.

This summer, I taught “IS445: Information Books and Resources for Youth” for graduate students pursuing degrees and certifications as school librarians and children’s and teen public librarians. I joined the WOW professional book study group in order to consider ways to privilege global literature in IS445. In our course, we defined global literature as a comprehensive term that encompasses both international and multicultural literature that “honors and celebrates diversity, both within and outside the United States, in terms of culture, race, ethnicity, language, religion, social and economic status, sexual orientation, and physical and intellectual ability” (Hadaway and McKenna, 4-5).

In Reading the World, the Globe, and the Cosmos: Approaches to Teaching Literature for the Twenty-first Century, Suzanne Choo critiques pedagogical approaches to teaching literature in English: nationalistic, world, global, and cosmopolitan. My interpretation of Choo’s framework for pedagogical criticism is that it centers on approaches informed by conceptual values that are shaped by global and nation-state forces that create “global waves” that extend beyond the classroom, geographic region, world, and globe (see Figure 1.2 on page 23).

Nationalistic Approaches
Choo makes a strong case for the historical impermanence of the borders of nation-states. She notes that, in the past, we have misguidedly examined literacy texts as representative of nations of the world when national boundaries and the movement of people across them has always been dynamic. With that understanding, there have always been “interpretive communities” that have assigned meaning and value to texts, privileging some over others. Choo offers publishers, reviewers, and award committees as examples of entities/people who mediate between texts and readers. What is “beautiful” art or “good” literature has always been judged based on changing mores and values bounded by cultural considerations. In that light, readers can and must take a critical stance regarding what has previously and is currently considered the “best” texts.

Literacy educators (including librarians) also serve as mediators who select, promote, employ, and privilege certain texts for student engagement. They also intervene in readers’ motivation or deeper understanding of texts through various instructional strategies. School- or institution-level decisions also come into play in terms of what texts are sanctioned or “acceptable.” Although the number of traditionally published books that meet the needs of readers in our increasingly multicultural U.S. society are growing, they are insufficient. Today’s preK-12 students must be invited to explore the cultures and experiences of ever more diverse classmates and U.S. peers… and in the opinions of our book study members, they must also explore beyond our country’s borders.

The World
Where is the “world” view in literature? Choo argues that “a world paradigm subscribes to a belief about the good of teaching literature that is tied to the goal of world citizenship as articulated via concepts of collective taste and universal humanity” (83).

Choo offers many examples including the concept of the “ideal citizen” as penned by the late 18th-century, early 19th-center German writer and statesman Johann Wolfgang von Goethe. She summarizes Goethe’s world citizen as one who privileges the world over the provincial, universal over the particular, and common humanity over one’s own countrymen (73). Choo goes on to write about how this universal concept of humanity “takes over the religious function of the Absolute or God” yet is based in Christianity. In this context, there will be texts that win (are included) and texts that lose (are excluded).

She suggests (and critiques) four approaches to teaching world literature. The first approach: Teach students to read across historical time and geographical space; this was the way early world literature courses (1900–1930s) were organized. The second approach: Teach English, U.S., and global literature in English with a focus on readers reflecting on the global, political, and philosophical ideas of the time in which they were created. The third approach: Use literature to make history (facts) come alive! (I just witnessed how contemporary nonfiction and informational books can make historical/contemporary events and issues vivid.). The fourth approach: Integrate literature with other subjects through thematic units; her critique of this approach suggests a fear that literature will be marginalized by disciplinary content.

Globe
What is the difference between a “world” and a “global” literature pedagogy? Suzanne Choo captured my goal for IS445 in this quote: “The teaching of global literature is used to describe approaches aimed at promoting a global mindset in students so that they will perceive themselves and others as members of an interconnected global village” (91). Considering the current political climate in the U.S. and various European countries, in particular, the focus on human rights over citizenship rights seems timely to me.

Choo mentions the Universal Declaration of Human Rights (1948) and the U.N. Convention on the Rights of the Child (1989), When it was written, the Convention on the Rights of the Child was the most widely and rapidly ratified human rights treaty in history. While the United States signed this Convention in 1995, no U.S. president has sent it to the Senate for ratification. (If you agree this is unconscionable, see next week’s post about “childism.”)

I appreciated Choo’s perspective on the differences between the flat map view of the world and the spherical reality of the Earth. She suggests that a “world” depiction of the planet suggests that parts make up the whole; while a spherical “global” view suggests the whole is made up of parts. (This resonated with me in light of the 50th anniversary of the moon walk. I was eighteen at the time and clearly remember the awe-inspiring view of the spherical Earth from space.) “Education that emphasizes spherical seeing of the human prioritizes students’ consciousness of themselves as citizens of the human race first followed by citizens of their nation or community” (96).

The Cosmos
To be honest, Choo lost me in the “cosmos” section of the book. While I found support for a shared urgency for privileging global perspectives, I did not as clearly see the cosmopolitan frame. “This idea of shared community and shared responsibility for each other and the fate of the human species is the starting point for a new kind of cosmopolitanism that might help us better transact the devaluing of our intellectual labor in the present age of neoliberal globalization” (xi). For me, the global view does result in a shared community and shared responsibility for the fate of humanity and for our planet.

In my quest to increase graduate students’ ability to build empathy through exploring diverse worldviews and experiences through nonfiction and information books and resources, I didn’t understand the need to go further than the globe. For educators and librarians who have been “schooled” in multicultural literature and education, globalizing curricula seems to me to be the next frontier. Leaping to the cosmos would be, I believe, too giant of a leap. That said, I hope to learn another perspective from my colleagues as they implement cosmopolitanism in their courses.

Works Cited

Choo, Suzanne S. 2013. Reading the World, the Globe, and the Cosmos: Approaches to Teaching Literature for the Twenty-first Century. New York: Peter Lang.

Hadaway, Nancy L., and Marian J. McKenna. 2007. Breaking Boundaries with Global Literature: Celebrating Diversity in K-12 Classrooms. Newark, DE: International Reading Association.

Image Credit

Altmann, Gerd. “Web Networking Earth Continents.” Pixabay.com. https://pixabay.com/illustrations/web-networking-earth-continents-3079789/